Colin

Colin has been doing the rounds on the wordwide filmfest circuit for several years now, but has only recently received any serious distribution. Heck, the magazine I co-write for – RevenantMagazine.com – showed Colin at their yearly film festival back in 2008 (where it received high praise too, long before the current PR Hoopla I might add). So, critics seem to love it, and the zombie fans who have seen it before everyone else loved it too. How about the zombie fan who saw it when it actually got released, now that there is no cred to be gained from seeing a hyped film before it’s fully out in the wild? Well, that is the camp I fall into.

Low-budget zombie movies probably make up around 50% of the films from my blog, so it’s fair to say I have had a fair amount of exposure to both the excellent and the abominable no-cost undead films. But then does my opinion really matter? Well no, not really. But i’m going to give it anyway.

Colin is a fantastic low-budget movie which totally shows up just how poor the majority of other SOV zombie films really are. The direction is superb, there are some amazing camera shots that both look good and genuinely add to the story, and the actual plot has both originality and some real soul to it, especially considering that there is next to no dialogue in the entire film.

OK, we’ve had films from the point of view of the zombie before. Most notably a similar British movie I, Zombie. However, this is probably the first movie to follow the Revenant while he goes about his business as a real Zombie during the Z-War Apocalypse. We get glimpses of the few remaining humans racing past Colin during his seemingly aimless roaming of the streets, see zombies devouring the numerous corpses and even get to meet Colins’ living family members as they bump into their corpsified relative.

While the majority of the film seems to have very little plot whatsoever it soon becomes apparent that this really is not the case, and that Colin is actually a film about how thoroughly ingrained into our conscience the experiences we live through really are.

Sure, it’s not a perfect movie. For what seems like 5 minutes we get to see a girl stumbling around in a pitch-black cellar not really being able to see what is going on, and throughout the film the frenetic ’shaky camera’ effect when the action kicks in is so over-the-top that it just causes nausea and confusion rather than add to the atmosphere. But these issues can be overlooked by the fact that this film really does try to do something different, and totally succeeds. I was so engrossed that I didn’t realise until the end that there was no nudity whatsoever! Now that must be a good recommendation.

Gore Score C
Norks Score F
Originality Score A
Overall Score B+

 

Zombie Self-Defense Force

OK, it’s probably about time for some mental Japanese zombie horror. Having recently gone through a phase of watching Japan-o-gore movies, none of which were Zombie films (Meatball Machine, Machine Girl and the awesome Tokyo Gore Police) I felt it about time I dive into some Japanese Zombie gore, and this wierd little number fit the bill perfectly.

I shall start this review with some choice words summing up the film : cheap, gory, psycho zombie-baby, cyborg and a space octopus. Now, that’s gotta get your attention, surely. Space Octopus?

Opening up with some CGI so awful that my GF sat for about 1 minute of the film before heading straight to bed moaning that she’s never seen such cheap CGI in all her life – and I’m almost inclined to agree – ZSDF kicks into the live-action in a forest somewhere, and we meet a few pockets of nefarious weirdos all separately going about their business. Such business includes some drug addicted Yakuza burying one of their victims, a group of army types on a training exercise, a J-pop starlet on a photo shoot and a sleazy husband breaking up with his pregnant mistress.

All these parties see a crude CGI flying saucer flying overhead, which crash-land somewhere in the forest emitting a bizarre green-glow of radiation. Obviously this strange gas thing has the side effect of reanimating the dead, and the remaining people meet up while running from the undead and seek refuge in a local bed and breakfast place.

Holed up in this venue with the undead knocking at the windows and the humans slowly succumbing to the zombie virus we get treated to loads of excellent low-budget gore (the best kind of gore hands down), a fantastically mental zombie-baby going on the rampage and the transformation of one of the characters from confused human to badass robot-cyborg. And then there is the aforementioned Space Octopus. Yes, (s)he only gets a screen time of about 2 seconds but it was the highlight of this bizarre cheapo gorefest.

An original film? Well, not particularly. Cutting-edge effects? Certainly not. Plot, script and storyline? Hell no. But bizarre comedy and loads of gore? Why yes please.

Gore Score B+
Norks Score F
Originality Score C-
Overall Score B-

 

RetarDEAD

When I heard of this film I pretty much knew instantly what sort of film it would be. I could practically hear the genre reviewers writing out the phrase ‘if you like the title you’re pretty much guaranteed to like the film’ And oh, how true that is. Appealing to the Troma fan in everyone (although it can take a bit of effort to bring it out of some people), RetarDEAD is a trash classic excelling in script, gore, offensiveness and utter, utter nonsense.

A mad scientist, fresh from resurrecting a turd monster in the previous film (MonsTURD) escapes the clutches of the boozy cops and sets up a new science lab in some abandoned factory. From there he sets out to find some test subjects for his (well meaning, but misguided) intelligence boosting experiments. He naturally selects the local mental hospital, and volunteers his services as a teacher.

While conducting his experiments the town police are hunting down both this escaped loon as well as the local pervert affectionately know as ‘the Weenie Waggler’. After being tracked down, this pervy nutjob points the cops to the new special needs teacher who has started working at the Special School in which he is the caretaker, so the cops rock on up to investigate. Unfortunately this is the point where the doc’s magic intelligence serum starts to backfire, causing the recipients to turn into flesh eating blue-grey Dawn of the Dead-style zombies.

This is the point of the film where the originality goes out the window, and the gore and slaughter kick off. The zombies start spreading, and the ridiculously cheap yet awesome entrails flow, more-or-less until the end of the film.

There are some excellent scenes in this movie : The cops tooling up ‘Here’s a handgun, another handgun, a sword, another handgun…..’), the mad scientist and his assistants dissecting a corpse for bait (involving A LOT of puking), plus the gore-gore girls surrounding and attacking their prey in the doc’s laboratory and dancing them to death.

Sure, we’ve seen a lot of this before, but such a great script and budget spent almost totally on latex gore effects and cameos (Jello Biafra!) this is something I love to see in my low budget B-movies. Hell, if there was some Nudity then it would’ve been perfect!

Gore Score A
Norks Score F
Originality Score C
Overall Score B+

 

Last of the Living

There are surprisingly few zombie movies where the undead call out for ‘braaiiins’, so when one comes along I’m all for it. The zombies in Last of the Living go one better by being particularly farty aswell – if there’s been one thing that the undead have been lacking in it’s flatulence.

Last of the Living is a high-art entry into the zombie canon, and follows three mates who have somehow inexplicably survived the zombie holocaust, despite being a bunch of lazy worthless bums. They have got the right idea though, as they have the run of their hometown to themselves and just move from vacant mansion to vacant mansion playing drums, watching the amazing ‘Great Bikini Workout’ DVD and listening to music. (Electricity is still working for some reason). Sadly this is all interrupted by their lack of food, so the boys tool up and head to town to loot some snacks, wading through the packs of undead.

One of the zombies they encounter happens to be one of the lads girlfriends, but unlike similar films he sensibly takes the opportunity to kill her off without any complaining, or even uttering the standard ‘but she’s my girlfriend…’ comment. (Bonus points for this!)

Anyway, in amongst all this shopping and house-moving they bump into a young lady who has developed a potential cure, and the bunch of lads decide to chaperon this lass to to the local hospital in order to perfect it. As is the way with Zombie films, trying to do some good doesn’t turn out that well and they’re swamped by the undead and fighting for their own survival when they could’ve been lazing about in some luxury apartment keeping to themselves.

This was a superb low-budget comedy zombie movie. The actors are clearly great mates and that relationship comes across superbly. The original soundtrack is impressive and coupled with the music video-style direction this is a great modern zombie comedy, and it’ll find a place alongside the Peter Jacksons’, Romeros’ and the Fulcis’ on my regular re-watch zombie shelf.

Gore Score C
Norks Score F
Originality Score C
Overall Score A

 

Zombiegeddon

Also posted at http://www.revenantmagazine.com/)

At last, a decent Zombie Movie! After a few weeks of boring unoriginal zombie flicks I felt I needed a reboot so turned to Troma to help me out of the lull. Thankfully Zombiegeddon delivers the trash I have been craving, and more.

The plot of Zombiegeddon is just some insane nonsense about the Devil summoning up a bunch of zombies to wipe out the whole population, but it is basically just an excuse to get from set-piece to set-piece, with a bunch of b-movie celebrity cameos thrown in for good measure. We have Jesus Christ (Tom Savini) in bed with Brinke Stevens, Lloyd Kaufman as a cowardly caretaker and Linnea Quigley as a school principal. There is a zombie hunter who takes his son and his pet zombie-eating tiger out on patrol with him, some incredibly corrupt cops who just murder innocent people for kicks and a cop vs zombie kung-fu fight!

The highlights for me were Lloyd Kaufman’s homophobic janitor who mistakes the zombies for some homosexuals, and runs off to hide in a closet for the remainder of the film, as well as a scene where the 2 cops pull over a carload of boys using some very suspect interrogation techniques.

If it were to be judged on technical merit then it would fail abysmally. The quality of the filming here is pretty dire, with some bottom-drawer acting, terrible sound recording and laughably bad gore (seriously, I swear I saw the bucket come into view when a load of blood was spurted\thrown onto a wall), but none of this matters when you’re watching a who’s who of trashy horror complete with a zombie-eating tiger in it.

For extra laughs I highly recommend reading some of the user reviews on the IMDB site for this film. Seriously, some people just don’t get it.

Gore Score C
Norks Score B+
Originality Score C
Overall Score B+

 

Exhumed

Also posted at http://www.revenantmagazine.com/)

So there I was, sat in a crummy hotel room in London on my own on the ‘lavish’ single bed with the TV’s On-Screen Program Guide covering up the whole picture so I can only hear the sound in the background. Oh well, why not get some wine in and watch the only DVD I have with me on my laptop. ‘Exhumed’. It turns out that I should have chosen to watch the static program guide instead, to be honest.

Exhumed is a turgid anthology of semi-zombie horror. 3 totally random episodes with nothing in common apart from a bizarre cobbled-together ending that pretends to tie the stories together. Firstly there is the dull story about some Japanese dude and a monk wandering in a forest looking for some artifact that can bring the dead back to life. Luckily it’s all in Japanese which masks how bad the acting really is, but it was far from classic – The fight scenes and the looks into camera were pretty dire. There are a few zombies dotted around the forest who get killed off, but there are no scares or even any excitement.

Secondly is a strange black and white noir-style film, which features some of the most appalling acting I have ever seen. It follows the adventure of some private detective lass who joins a seedy club to investigate a missing persons case, I believe. However I spent most of this section of the film with my jaw on the floor amazed at just how terrible the performances actually were while knocking back the wine that I missed out on most of the excitement, if there was any. Seriously, it was like watching a children’s school play rehearsal.

Long after my interest had faded into nothingness came the 3rd in the anthology. It seems to be set in the future with some vampires and werewolves fighting about something-or-other. This is the episode with some actual gore, but it was so amateur in it’s execution and I was so bored at this time that I couldn’t care less about any of it. Even when the chainsaw is brought out to slice up some fake body-parts I was thinking of turning this abomination off. However I stuck it out and was mildly amused when the vampire : werewolf lesbian scene kicked off, but it wasn’t enough keep me entertained and I turned the film off and curled up in the small hotel bed.

I did watch most of the final scene the next day on my train home, but was so embarrased to be seen watching it in public that I switched it off and went surfing for porn instead.

Gore Score D
Norks Score C-
Originality Score D
Overall Score F

 

Enter…Zombie King

Also posted at http://www.revenantmagazine.com/)

I recently saw the multi-award winning ‘The Wrestler’ on the big screen, and loved all the OTT wrestling action, but I felt that there was just something missing from all the serious self-destructive character story-lines.  True, it had plenty of strippers but where were all the dudes in stupid wrestling masks taking on a trained army of the undead?  I’m sure I’m not alone in thinking that this is the reason it missed out at Oscars.

Thankfully I discovered a movie that fills in all the blanks from The Wrestler, and removes all the boring plot.  “Enter…Zombie King.”

Featuring a cast of Mexican-wrestling-mask wearing heroes, (who wear their masks constantly, even when chilling out drinking beers on the veranda) who travel the country for some reason on another.  Ulysses is the main hero here, who rocks on up at an old mates house – who is also a wrestler – to stay for a few days.  He hears that there is a rival wrestler in town who is planning on wrestling a bunch of ‘live’ zombies in the ring.  Obviously thinking these zombies can’t be trusted he pops along with his crew to witness this event.

Unfortunately for all concerned, while inside watching the match a couple of chicks are attacked outside and one gets killed by some feral Zombies, and it’s the zombie wrestler Tiki who gets the blame.  However, Tiki’s zombies have been neutered so it must be another sort of undead that killed off the young lady, so the whole team of masked heroes set off to discover what’s been happening with these killer zombies.

Featuring copious amounts of nudity, loads of fantastic wrestling-action and a bad guy with possibly the greatest villain name in history ‘Murderliser’, “Enter… Zombie King” is outstanding from start to finish.  OK, the acting is pretty sub-par and the gore effects are mostly of the Plastic-Jokeshop-Limb variety but it all works so superbly together none of that matters, and in-fact it just adds to the enjoyment.  Why do they never take off their masks?  Who cares.  How come nobody seems bothered that zombies have roamed the forest for years?  So what.  Why would anyone sunbathe in the snow wearing a wrestling mask?  Pah!  Just go with the flow and enjoy the action.  Heck, if actual Wrestling was this exciting I’d start watching that instead of the UFC!

Gore Score C
Norks Score B
Originality Score A
Overall Score B+

 

Plaga Zombie

Also posted at http://www.revenantmagazine.com/)
It’s a new year, so why not start the year with something unusual – a South American zombie film.  Going to show that Zombie cinema has never really been geographically specific, the Argentinian Plaga Zombie is the forerunner to the more popular Plaga Zombie : Mutant Zone, a film I have yet to watch but judging by this effort I am particularly looking forward to doing so.

A pair of students are chilling out in their flat when a strange noise summons one of them up to the roof where he is promptly probed in the belly by a very rubbery looking Alien.  This very sadly leads to his stomach exploding causing him to become one of the undead.  At the same time it appears that there are further zombies cropping up around the neighbourhood and it is up to Bill the remaining flatmate, and his wrestler buddy John to take on the hoards of the undead with a little help from some syringes filled with zombie killing potion, and some kick-ass wrestling moves.

There have been numerous zombie movies that compare themselves to Braindead / Dead Alive, but this is the first one where that comparison is justified.  Utilising the same style of filming and buckets of slimy goo, Plaga Zombie is very much the Braindead of Argentina.  A bowl of minced zombie limbs is eaten by another zombie (a probable nod to Peter Jackson’s Bad Taste), and a human is mauled by no less than a lawnmower (yes, more nods to Peter Jackson), but despite these obvious references there are plenty of original touches here.  A zombie with fake teeth swallows his dentures which are then swiftly removed from his own gut via a punch to the stomach.  Multicoloured Zombies spew multicoloured vomit over – and into – their victims.  Syringes of zombie repellent are thrown.  Zombies phone out for Pizza.  There is much to enjoy, but particular credit should go to the spectacular garden massacre that closes the film, where the nerdy scientist kid, the wrestler and the pizza delivery lad chop and mutilate numerous undead with glee.

All this lowbudget zombie action clocks in at just over 1 hour, but it is a wonderful hour.  Ripping off Peter Jackson has never been so much fun.

Gore Score B+
Norks Score F
Originality Score C+
Overall Score B

 

Zombie Night

I don’t mind watching cheapo SOV zombie films because usually the people who make them have some interesting ideas to bring to the zombie movie table.  (Shatter Dead, Automaton Transfusion…) They are made by zombie fans who feel that the films they want to see just aren’t being produced by the mainstream movie industry, and so it is often the case with these films that you have to look past the crappy acting, directing and special effects and just appreciate the original story idea that the film makers had to offer.

However, this particular film seems to break with this tradition, as they have just cobbled together a rather crappy remake of Night Of The Living Dead, but included dozens more human characters, and have the film take place in an abandoned warehouse instead.

Perhaps the angle here is that we should be interested in how real people deal with a zombie outbreak crisis, but if this were the case then surely at least one of these 20 odd characters would have a shred of personality, rather than just be a bunch of nameless nobodies who have no reason to be here and no discernible talent of any form.  All that happens here is that a bunch of people end up in an empty building and discuss how to keep the zombies away.  Then they move on to another building, meet more boring characters and shack up together so that there are more people to ponder the best way to baracade themselves into the building.

OK, there is one other character who is just a cliche crazy dude, who for some reason or another thinks he’s better off by himself and proves this by randomly killing a few survivors and then leaves the group, only to return every 10 minutes or so when the film is getting boring just to kill a few more characters for no reason.  Then he gets strung up to die himself.

This film is pointless.  I have dozens of decent ideas for a zombie film that haven’t been seen before, but even if I didn’t I still wouldn’t think it was a good idea to get my life savings together and make a crappy film that just rips off a Romero classic.  What’s the point?  What a waste of money and time (theirs and mine).

Gore Score D
Norks Score C
Overall Score E